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Upcoming Performances

  • January 23 - 27 in New York, NY
    The Metropolitan Room, 34 W. 22nd St. With Tex Arnold on piano, and Tom Hubbard on bass. Show time is 7:30 on the Wednesday through Saturday the 23rd - 26th, and 7 PM on Sunday the 27th. Very civilized! For reservations - which are strongly recommended - and directions, call 212-206-0440, or go to www.metropolitanroom.com.
  • February 15 - 18, in Concord, MA
    Interplay Jazz 2008 Vocal Master Class. This class is open to students at all levels of experience. Class size is limited so as to give everyone attention and time to sing. For more information, and to download your application, go to http://www.interplayjazz.com. All aspects of good jazz vocal performance will be covered, with special attention given to the art of interpreting a lyric and communicating with the audience.
  • February 23 in Washington, DC
    "Words and Music" Master Class Location to be announced. A four-hour Master Class for singers of all genres and all levels of experience, with fellow instructor Wendy Lane Bailey. We will cover the basics of song performance, lyric interpretation, talking to the audience, sequencing a set, and working with a music director. Class size will be limited, so we can give each student attention. For more information, send an email to parkroadmanagement@verizon.net.
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June 28, 2008

Gig updates

Hello all -

This is my interpretive dance called "Summer": a rhythm of being very busy, interspersed with periods of lying on the floor in heat-induced stupor. But I have some gigs coming up that I want you all to know about.

This week, starting tomorrow! Ashokan Fiddle and Dance Western and Swing Week. Learn more about this extraordinary musical experience by going to www.ashokan.org and clicking on Ashokan FIddle and Dance Camps. Then reserve your space for next year!

In July I am co-producing CDs for two other artists here in the city, which is fascinating work. Then on Thursday, July 24th, I will be at Stone Mountain Center for the Arts in Brownfield, ME. I sang there last year, and it was a revelation. The venue is delightful, and the owners, one of whom, Carol Noonan, is a highly-regarded folksinger, have done everything they can to create a performance space that is pleasurable for audience and performer alike. And the food is very fine. (Note: this date has been postponed. I will repost as soon as the new date is finalized).

The next day, Tex Arnold and I drive down to New Haven for the start of this year's Cabaret Conference at Yale. This year I am again part of a splendid teaching staff, and will be singing several songs in the faculty concert on Sunday, July 27th.

August will be devoted to practice and planning. I am doing a concert of sacred music at the Church of St. Francis Xavier on 16th Street in Chelsea (Monday, November 17th), as part of their annual PAX concert series. I have not done such a concert for a few years; the last ones were a capella, but this time I plan to  have accompaniment. The concert must be designed, and new arrangements created. I am also  putting together an Advent/Christmas concert (more on that when the tentative booking is confirmed). And Jalala will be rehearsing! Janis (Siegel, Manhattan Transfer), Lauren (Kinhan, New York Voices) and I have a lovely repertoire started, and will be continuing to arrange, rehearse, and refine so as to step into the studio in September as part of jazz guitarist Frank Vignola's new recording.

On Monday, September 15th, I will be making my solo debut at Birdland. I have not sung there since Moxie (Janis, Cheryl Bentyne and I) played sold-out shows there back in 2000. So I am very excited about this upcoming date, and sincerely hope that I will see some of you there.

Finally, on Saturday, September 27th, in Washington, DC, Wendy Lane Bailey and I will be teaching another master class for performers. These classes are genre-free: the basic principles of song interpretation and stagecraft are the same regardless of genre. If you sing jazz, great! Musical theater? Fantastic! Opera? Welcome! Western Swing? Let's dance! Folk? Country? All are welcome. Not so sure about my heavy metal performance chops, but I did meet Ozzie Osbourne back in the Transfer years... For information and to register, write to parkroadmanagement@verizon.net

At the moment, that's the performance news. More to come, my friends... and more kinds of news, too.

December 25, 2007

Merry Christmas!

God has come among us. A joyous Christmas to all!

The gift of keeping Advent is this: Christmas is newly-born only last night, and now there are twelve days of it to relish. God rest you merry one and all, every early and late, every dark, every light.

December 17, 2007

the Sounds of Christmas

This weekend's storms have stripped the leaves from the tree outside my window, leaves that had stubbornly remained green weeks after every other leaf in town had turned gold, red, or brown, and then had been equally adamant about resisting gravity. This morning, though, light filters to my windows through a lacy network of bare branches.

I am home sick abed, felled by the Grande Dame of All Colds. Sore-throated, fuzzy-headed, sniffling and coughing, and not at all glamourous, I have not been this ill in a long time. My apartment is a TV-Free zone, so I am alternating drowsing with attempts to read and listen to music. Yesterday was Gaudete Sunday, the third Sunday of Advent. Gaudete means rejoice, and I think I can stop some of my grumbling about premature Christmas music long enough to suggest some of my favorite Christmas rejoicing music to you all. It's not a long list, just my favorites.

The Sounds of Christmas, a long out-of-print Fred Waring recording, is a lovely collage of Christmas music that gives the impression of walking through a town where there are carollers on every corner. The first singing voice you hear on the recording, and the last, is that of my grandfather, Leonard Kranendonk. A more beautiful baritone cannot be imagined. I miss him.

Now is the Caroling Season and Caroling, Caroling, also Fred Waring. These are both available on CD. The singing is gorgeous and joyful, the diction unaffected yet all the words are completely understandable. Choir and other vocal ensemble directors, take note!

On Yoolis Night, by Anonymous4. Medieval carols and motets sung flawlessly, with soprano Ruth Cunningham's pure soaring voice lifting the listener to bliss.

He Is Christmas, Take Six. The perfect balance to the preceding recording, this acapella joy-fest is grounded in the body, and one must dance. Must!

Of course the Manhattan Transfer has done some lovely holiday recordings, too: The Christmas Album and  An Acapella Christmas.

Little Women, the fim soundtrack by Thomas Newman. One of my yearly rituals is the re-reading of Louisa May Alcott's Little Women, a book I have been devoted to since I first read it when I was about 7. More than anything, I wanted to grow up to be Jo March. This novel has been adapted for film four times so far, once in 1918 as a silent, once in 1933 (Katherine Hepburn portayed Jo), and again in 1949 (my least favorite. June Allyson as Jo? I think not. Elizabeth Taylor as Amy? The mind reels.) My favorite of all these is director Gillian Armstrong's 1994 version, starring Winona Ryder as Jo and Susan Sarandon as Marmee - you can read more about this on the IMDB site. Thomas Newman's score is evocative and supportive and beautiful. Why is this on my Christmas list? Because the book opens at Christmas time, and as originally planned by Alcott, closes on the following Christmas (what we now know as Little Women was originally two books,Little Women and Good Wives), and so for me it has been part of my Christmas for ... hmmm... a few years.

Though at this moment I feel like I am going to be coughing all the rest of my natural life (you know that feeling!), I think that next year I will be able to add one more Christmas collection to the list: my own, which I am hoping to record in 2008.

But for now, more tea. I continue to wish you all a blessed Advent.